A Wisteria Lamp.* |
But it was not founded by Louis Comfort Tiffany (LCT). It was his father, Charles Lewis Tiffany who
opened the business and who expected his son to follow in his footsteps. LCT had other ideas. He wanted to be a painter but unfortunately -
or perhaps fortunately - his paintings weren’t that great.
This redhead from New York City - with
the temper to match - was frequently in trouble with his parents so they sent
him to the Eagleswood Military Academy
in Perth Amboy, NJ.
He stayed there for three years leaving when he was seventeen. He then travelled about Europe
to learn about art and the various cultures.
Following his first European tour he attended art school in New York and met other
people who influenced his forward thinking.
He made a second trip to Europe in 1868 and, with a friend (Samuel
Colman), went to Northern Africa where he saw
the use of bright colours. He also saw
the way medieval stained-glass windows literally glow and was particularly
impressed with the windows at Chartres Cathedral.
Nine of his paintings were exhibited in 1876 at the Philadelphia
Exposition but he was more interested in the Arts and Crafts interiors that
were on show. Subsequently, together
with his friend Candace Wheeler (an embroidery expert) they founded the Society
of Decorative Arts where classes were held in needlework, tile painting,
pottery, wood carving and other crafts.
In 1879 he and some friends formed Louis C. Tiffany and Associated
Artists and their first commission was to design a drop curtain for the Madison
Square Theater. Subsequently the company
decorated rooms in the 5th Avenue
mansion of pharmaceutical tycoon George Kemp, quickly followed by more
commissions for Tiffany decorated rooms.
The Tiffany style was created by covering almost every surface with
exotic patterns that were influenced by his time spent overseas.
During the 1880s the company increased their fame. In 1881 Mark Twain had them decorate his home
in Hartford, Connecticut.
That was quickly followed by a request from the White House. President Arthur (who had succeeded the
assassinated President Garfield) needed some of the rooms to be redecorated -
the East Room, the State Dining room, the Red and Blue Parlors and a corridor. And he needed that work done within seven
weeks.
Eventually LCT became fed up with the demands of his clients - no matter
how wealthy or important. Throughout the
1870s and 1880s he had been experimenting with glass and using it in some of
the interiors. But more importantly, he
began designing stained glass windows for the new post-Civil War churches. Until LCT (and John La Farge), the
manufacturing technique had remained the same since the Middle Ages. LCT’s wonderful innovation was a form of opalescent
glass with a milky rainbow form of iridescence when the light shone through
it. He acquired the patent in 1881.
Stained Glass Windows at Flagler College, St. Augustine, FL |
The Tiffany Chapel *. |
Jack-in-the-Pulpit Vase * |
That all changed after the World War II when artists began to recognise
the beauty of Tiffany’s designs. By the
1950s museums were acquiring pieces of Tiffany ware and exhibitions were held.
LCT’s homes on 5th Avenue,
New York and Laurelton Hall on Long Island are no longer. The mansions of 5th Avenue made way for skyscrapers and
Laurelton succumbed to a fire in 1957, after which Mrs. Comfort Gilder, one of
LCT’s daughters, offered what was left of her father’s work to the Morse Museum
where years of painstaking work have recreated the Tiffany Chapel, some of the
rooms of Laurelton Hall including the famous Daffodil Terrace.
If you are in Florida - around the Orlando area - do go
along to the museum for a very special ‘experience’. Breathtaking!
* Copyright - Morse Museum, Winter Park.
www.morsemuseum.org
A Tiffany Chapel
* Copyright - Morse Museum, Winter Park.
www.morsemuseum.org
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